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Gates of Olympus is He had uttered the hope that he should see her the next day, but Fleda could easily reflect that he wouldn't see her if she were not there to be seen. If there was a thing in the world she desired at that moment, it was that the next day should have no point of resemblance with the day that had just elapsed. She accordingly aspired to an absence: she would go immediately down to Maggie. She ran out that evening and telegraphed to her sister, and in the morning she quitted London by an early train. She required for this step no reason but the sense of necessity. It was a strong personal need; she wished to interpose something, and there was nothing she could interpose but distance, but time. If Mrs. Brigstock had to deal with Owen she would allow Mrs. Brigstock the chance. To be there, to be in the midst of it, was the reverse of what she craved: she had already been more in the midst of it than had ever entered into her plan. At any rate she had renounced her plan; she had no plan now but the plan of separation. This was to abandon Owen, to give up the fine office of helping him back to his own; but when she had undertaken that office she had not foreseen that Mrs. Gereth would defeat it by a manœuvre so simple. The scene at her father's rooms had extinguished all offices, and the scene at her father's rooms was of Mrs. Gereth's producing. Owen, at all events, must now act for himself: he had obligations to meet, he had satisfactions to give, and Fleda fairly ached with the wish that he might be equal to them. She never knew the extent of her tenderness for him till she became conscious of the present force of her desire that he should be superior, be perhaps even sublime. She obscurely made out that superiority, that sublimity, mightn't after all be fatal. She closed her eyes and lived for a day or two in the mere beauty of confidence. It was with her on the short journey; it was with her at Maggie's; it glorified the mean little house in the stupid little town. Owen had grown larger to her: he would do, like a man, whatever he should have to do. He wouldn't be weak—not as she was: she herself was weak exceedingly. "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days..

🌟 Game Features 🌟

🎮 "Why, those beautiful things." "What did she mean by that?"!

🏆 Fleda was embarrassed; she had not made up her mind definitely to lie. "I didn't think you'd care." That small untruth she would risk. Fleda laid on her arm a hand of vague comfort, of which Mrs. Gereth took no notice. "You've been capable, just to tell me, of this wretched journey, of this consideration that I don't deserve?"!

🔥 Download Gates of Olympus The other visitor meanwhile turned to Fleda. "What is Mrs. Gereth going to do?" "Is that what he calls it?" She seemed to speak with disinterested curiosity.!🔥